Four Tips for Any Live Band

Tips for Any Live BandOriginal article written by Chris Huff of Behind the Mixer

Here are four ways any band can work towards moving up to the next level

1. Listen closely to professional recordings of the song and take detailed notes.
What instruments are used? When are they used? How are they used? What changes in the vocals from one verse to the next? By examining a song, you’ll have the start of a plan for arranging your version of the song.

2. Review your choice of instruments.
Yes, you may have a kick drum but what if a song only incorporated the cymbols? Two guitars playing rhythm might sound nice at first, but you can add color and depth when one of those guitars plays in a different octave and / or different chord voicings. Maybe it’s time to add a bass player. Does the drummer have a djembe they could play?

3. Don’t play all instruments all the time.
Any band can easily fall into this trap. Usually, the song starts with a good opening arrangement but by the time it’s the second verse, everyone’s playing. Instruments can drop out for a passage. Guitarists can play at half-speed for a passage. And for something totally off the wall – if you have strong vocalist, don’t play an instruments at all for a passage!

4. Talk with the sound guy.
For instance, you’ve got a new song arrangement that you think is great — play it and ask the sound guy what he or she thinks. Working on a sound team requires knowledge of both science and the art of music. You might find out that you need to add space in your mix because of too many instruments crowded around the same frequencies. You might find out that your killer bass riff idea is being covered up by the drum arrangement. The sound guy isn’t passing judgment on your arrangement; they are helping you with your arrangement.

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My Mic Sounds Nice :: Shure SM58 Vocal Microphone

Original article written by Chris Huff of Behind the Mixer

Product Review – Shure SM58 Vocal Microphone

The Shure SM58 Microphone is a sturdy, well-made, and might I add excellent, dynamic microphone. We’ve used the SM58 for years as both a vocal microphone as well as an instrumental mic (in instances where it’s preferred over a condenser). The SM58 has held up wonderfully and given the quality of sound that we desired.

The Shure SM58 microphone is a unidirectional (cardioid) dynamic vocal microphone. It’s great as both a singing microphone as well as a speaking microphone. It uses a built-in spherical filter that minimizes wind and breath “pop” noise. A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise.

The steel mesh head construction means it will survive the occasional drop – which does happen.

The SM58 accentuates the warmth and clarity (brightened midrange and bass rolloff) of lead and back-up vocals which has made it the first choice of performers everywhere.

Internally, it has a pneumatic shock-mount system which cuts down on handling noise.

The Shure SM58 Mic is a workhorse of a microphone that performs great time after time. Used by professionals for years, it’s proven itself an amazing microphone.

RENT THE SHURE SM58 MICROPHONE TODAY

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Get the Most Out of Your Sound Check

Shout out to Chris Huff over at Behind the Mixer for writing an excellent post, “Taking Control of Your Music: Musician’s Guide to Sound Checking.”

Below are 4 easy steps to get the most out of your sound check.

Line check.
Sound tech verifies that all of the equipment on the stage is sending a signal to the mixer. They will verify each instrument/vocal one at a time. This process requires all members on the stage to be quiet when it’s not your turn.

Setting your volume.
Technically speaking, the sound tech sets what is called the gain structure of each instrument/voice. The sound tech can do this either one by one or while your band is playing. Ask your sound tech which method he wants you to use. Once this process is complete, they will have a rough volume setting for you but it’s not totally indicative of the final mix so don’t think too much as to how it sounds in the house mix.

Setting monitor volumes.

In the case of spot monitors / floor monitors, the sound tech will work with each person one at a time. Point to the musician you need in your monitor and then give the sound guy the up/down/ok signal.

The last step is simple – just play.
At this point, you should at least play one or two songs that are to be played during the event. During this time, the sound tech will tweak your sounds as necessary through the use of EQ and other effects. This is a crucial time for them to get your sound right.

You might see your sound tech walking randomly around the room at some point. Don’t think they have finally cracked. They are checking how the mix sounds in different parts of the room. The dynamics of the room play a part in how they mix the music. They might also have to turn down your overall monitor volume if it’s negatively affecting the sound in the house. If they do this and you can’t hear a particular sound any more, talk with them about the issue and see what can be done to rectify the situation.

One final note on the sound check process, when you play songs for the sound tech to set a good mix, play songs you know well and don’t stop and start. It’s not the time to start discussing arrangement changes with the band. Save that for later during practice if you have to do it at all.

RECAP:
Step 1: Line check to verify signals being sent to mixer
Step 2: Play so your volume can be set
Step 3: Set those monitors
Step 4: Play so the sound tech can mix.

Ask for a written outline.
Finally, your sound guy might have a slightly different process for your sound check. Follow his direction and also have him/her give you a written outline of their sound check process so you can share it with the rest of the band.

Original article written by Chris Huff of Behind the Mixer

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